<< MP3 [Black] Naglfar-Pariah-(Limited Edition Digipak)-2005-DNR
[Black] Naglfar-Pariah-(Limited Edition Digipak)-2005-DNR
Category Sound
FormatMP3
SourceCD
BitrateVariable
GenreMetal
TypeAlbum
Date 1 decade, 6 months
Size 75.99 MB
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Website https://nzbindex.nl/search/?q=%5BBlack%5D+Naglfar-Pariah-%28Limited+Edition+Digipak%29-2005-DNR
 
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STREET DATE : 07/12/2005
RiP DATE : 03/11/2006
AVG BiTRATE : 218 KBps
ENCODER : Lame DNR (3.97b) -V 2 --vbr-new
GRABBER : EAC
QUALiTY : 44,1KHZ / Joint-Stereo °
SiZE : 68,10 MB ÛÜ
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(#) (TRACK NAME) (TIME)

01. Proclamation 00:50
02. A Swarm Of Plagues 04:47
03. Spoken Words Of Venom 04:20
04. The Murder Manifesto 04:27
05. Revelations Carved In Flesh 04:40
06. None Shall Be Spared 05:16
07. And The World Shall Be Your Grave 05:07
08. The Perpetual Horrors 05:03
09. Carnal Scorn & Spiritual Malice 04:38
10. The Calling Blaze 05:01

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TOTAL TiME: 44:09 min ÛÜ
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When it comes to Scandinavian extreme metal, the general
consensus is that Sweden has produced the best death
metal, while Norway holds the advantage in the black
metal sweepstakes (Denmark and Finland bring up the rear
with a few excellent examples in both camps). Of course
no one bothered to alert the guys in Naglfar to this
stereotype, and the Swedes have thus gone about their
business of recording a string of accomplished and "true"
black metal releases, such as 2005's Pariah -- their
fourth long-player. With the departure of founding
vocalist Jens Rydén following 2003's Sheol, this album
saw bassist Kristoffer Olivius stepping forward to take
over the role of frontman, handling a loss that may have
proved fatal to most other bands with what appears to be
surprising ease. Indeed, so similar are both men's
infernal shrieking that one can hardly tell the
difference. Musically, one can't really tell much
difference and what preceded it, either, as shockingly
profane lyrics and especially blastbeat-driven
hyper-speeds remain, far and away, the most prominent
weapon in Naglfar's misanthropic arsenal. However, the
band is astute enough to know when to alternate these
with slower riffs and nefarious melodies, thereby lending
standout cuts like "The Murder Manifesto," "None Shall Be
Spared," and "Carnal Scorn & Spiritual Malice" with
critical doses of variety. Additional points of interest
include the sweetly tuneful guitar harmonies coming out
of nowhere during "And the World Shall Be Your Grave,"
the sudden quiet and tentative electronics used midway
through "A Swarm of Plagues," and the also cautious use
of background symphonic effects (something Naglfar,
unlike so many black metal bands, has previously been
loathe to mess with) on "The Perpetual Horrors." All
told, these various devices in no way reinvent the wheel,
nor do they result in any new classics of the genre, but
Naglfar are nevertheless pros at executing them. They
also know enough not to overstay their welcome, returning
to their dark catacombs just in time to leave the
listener wanting a little more. Heck -- not bad for a
bunch of black metal-playing Swedes!

http://www.naglfar.net/

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